I’ve got a slew of things to share today. You may have heard, read or seen some or all of them already, but I’ll put them here anyway. First, I want to share a touching interview that Piers Morgan (who is typically not one of my favorite people) did with Katherine Jackson a few weeks ago. Click here to see the entire interview (embedding is disabled). You can just see the emotional pain on her face during some parts of the interview. One of the most heartbreaking and touching things Mrs. Jackson said during the interview was the following – and during parts of this she appeared to break into tears:
Every morning, all through the day-I think about Michael. If I wake up through the night, my mind is there. I just miss him, but being a Christian and believing in the Resurrection, I feel that I’ll see him again. I’m sorry I just … When they told me that he had 50 shows going on, I was concerned about those shows, I thought it was a little bit too much, because Michael hadn’t been on stage for about 10 years. And I called him and I told him, ’cause the way they had it structured, they said every other night that he’d be working … I just kept calling him telling him they had to change that schedule … They didn’t care about him, all they cared about was money.
Though I generally dislike Mr. Morgan, this was a very good interview, although difficult to watch at times because the deep grief Mrs. Jackson still feels is very evident.
This next item has to do with a rather personal letter that Michael wrote to Lisa Marie Presley during their relationship. The letter suddenly surfaced at Juliens for auction. Someone tweeted a very surprised Lisa Marie Presley about the letter and she asked them where they had found it. When she found out it was at Juliens, she immediately acted to have it removed from auction. I witnessed myself the twitter exchange between her and the person who had asked her about the letter. I will not post the letter itself here but I will post a letter/message from Juliens to someone who inquired about the letter’s source ie: who gave it to them. They clearly state that, contrary to wild accusations against Lisa Marie Presley, they did not obtain the letter from her. Judging by her reaction to the person who presented it to her, and by the letter/message from Juliens, I personally find it more than a laboriously contorted fantasy to believe that LMP somehow gave the letter to Juliens herself for sale. Such an accusation doesn’t even make any sense, as there is no logical reason she would do such a thing.
I am aware of some incredibly narcissistic jealousy and anger directed at Ms. Presley because she was Michael’s wife, and because in the heat of hurt and anger after their breakup she publicly said terrible things about him. I am aware that some people will latch onto any further excuse they can find or manufacture to justify that continued jealousy and anger towards her. However, it is both unfair and juvenile to demonize someone for something they did not do, no matter how you may dislike them, how jealous you may be of them, or how angry you may be at them for something else completely different that they did years ago.
All of Michael’s life, people demonized him for things he didn’t do. It ought to be obvious why this is not fair, ethical, or moral – no matter who the target of it is. Here is the message from Juliens stating that the letter did not come to them from LMP:
…you can tell them that it did not come from her and I can guarantee it.
That ought to be enough said about this issue. Those who wish to continue manufacturing speculation about this or continue to go on angry tirades against LMP may do so on their own websites, blogs, facebook pages or twitter accounts, but I won’t approve such comments here.
Moving on to the next debacle, Michael Jackson’s estate released a letter to fans regarding concerns about the quality of the upcoming ‘BAD25’ DVD of Michael’s 1988 Wembly Stadium performance. Though the concert was filmed using proper equipment and that high-quality footage is out there somewhere, the estate has not been able to locate it. Thus, the DVD will be sourced from a VHS tape that belonged to Michael, instead. The estate’s statement read as follows:
It is great to see the overwhelming support and excitement in the fan community for the upcoming BAD 25 release. A few questions have arisen regarding the Wembley concert DVD. Although the press release wasn’t the place for background details, here is more information:
• We know that Nocturne captured on Umatic tapes the footage projected onto the JumboTrons at the various concerts including Wembley. These tapes were turned over to Michael’s crew and we have confirmed with Patrick Kelly (who headed Michael’s film crew for the European tour) that everything from Europe was sent to LA to be put in Michael’s storage facilities. The same procedures were followed for the US shows.
• Unfortunately, record-keeping in the storage facilities was sporadic, at best, so we do not know what happened to a tape once it was sent for storage. In most cases, once a tape was pulled from the box it arrived in, it was not put back in the original box and where it wound up doesn’t always make sense. As a result, 25 years later not all of the Umatic tapes from the various shows can be located, notwithstanding that we have conducted an extensive survey of all of the storage facilities. So while we believe that the Umatic tape for Wembley was initially sent for storage, we have not been able to locate it. And with regard to the Umatic footage of other concerts, the audio is extremely problematic and therefore these concerts are unusable.
• We know that VHS copies of the Umatics were made when Michael wanted to view a particular concert, but because of the lack of record-keeping, we also didn’t know which concerts existed on VHS. We ultimately did find Michael’s personal VHS viewing copy of the Wembley show attended by Princess Diana and Prince Charles, but not the Umatic. Even finding this VHS felt like a miracle to us!
• So while we continued the search for the Wembley Umatic master, we also researched the audio recordings that existed from all of the concerts including Wembley. Fortunately, the Wembley audio recordings were made using a sound truck, and appear to be the only multi-track recordings from the tour. The other audio/visual recordings that exist, whether Umatic or VHS, are “front of house” mixes, and therefore there are no separate audio recordings that can be used to create a high quality listening experience. It is for this reason that the Wembley audio is the only one suitable to create a live album.
• If we were going to include a live concert DVD in the BAD 25 release package, we had only one choice, Wembley. And there were only two options for visual – the Umatics for a different show or the VHS for Wembley. It would certainly be less expensive for the Estate to be able to create a DVD from a Umatic tape than to spend the time and money to painstakingly restore/enhance the VHS footage, but then we would not be delivering a truly authentic experience and we truly believe that watching this concert with the high quality audio will create a magical experience for all the fans as it has for us. We ultimately chose a lab that has developed its own proprietary technology for doing this kind of work (including restoration for NASA of VHS footage) in order to make the visual experience the best it can be under the circumstances.
We also could have chosen to release the Japanese concert from the first leg of the tour as there is a master of that show; but that concert was essentially a reincarnation of the Victory Tour with only two songs – “Bad” and “I Just Can’t Stop Loving You” – added at the end. It isn’t what we believe the fans would want.
We could have elected not to release a DVD as part of the BAD 25 celebration (and hold out hope that someday we might find the Umatic of the Wembley concert) or we could share with the fans the chance to relive that magical night with pristine audio. We made the decision to go with the latter and provide the fans with the most authentic viewing experience. We believe that the fans will agree it was the right choice when the package is released in September.
John Branca/The Estate of Michael Jackson
It turns out that, contrary to what many of us had believed, ‘Dirty Diana‘ was performed at this concert. If you remember, Michael had initially considered omitting the song out of respect for Lady Diana who attended the concert, but it appears that he did in fact perform the song.
A previously unreleased song, ‘Don’t Be Messin’ ‘Round‘, will be accompanied by a June 5th CD release of ‘I Just Can’t Stop Loving You‘. This CD will be sold via Wal-Mart in the U.S. and will not be available digitally. More details about ‘BAD25‘ can be found here.
Speaking of ‘Don’t Be Messin’ ‘Round‘, Joe Vogel tweeted tonight that he will “have an article out on “Don’t Be Messin'” in the next day or so with fresh insights from those involved.” That is bound to be a treat, so if you haven’t yet, follow Joe on Twitter so you’ll know as soon as he publishes! If you haven’t heard it yet, here’s the demo, just as Michael left it:
If you haven’t read the interview MJJC did with DDA David Walgren yet, you might find it interesting. In case you didn’t know, DDA Walgren has now become a Superior Court Judge, so he’s moving up in the world. This man is extremely articulate and didn’t miss a beat during the Murray trial, so I’d not want to be a criminal in his courtroom! Here are a few quotes from that interview:
Before the trial, I had great respect for Michael Jackson as an artist and enjoyed his music. However, as I learned more about him and his life, I came to really enjoy two songs in particular: Human Nature and Earth Song.
• • •
Prior to the trial, my perception of Michael Jackson was simply that he was a very gifted artist and, although I was aware of various media accounts regarding his personal life, I do not typically follow that type of reporting. Now that I have learned so much more about him as a person, I have come away with great admiration for him as a loving and dedicated father to his children.
• • •
I have not been able to come up with any reason why Conrad Murray would have made and saved that voice recording other than, as Judge Pastor stated, it was to serve as an insurance policy that Conrad Murray could one day use against Michael Jackson.
Mark Ryden is an American painter born January 20, 1963. He was dubbed “the god-father of pop surrealism” by Interview Magazine.
There has been much speculation and suspicion about the meaning and symbolism of the Mark Ryden artwork on the cover of the ‘Dangerous’ album. Theories include messages about the occult to ‘Illuminati‘ and Freemasonry. I don’t personally subscribe to or pay much attention to all that, but the cover is certainly fascinating and it does, as Michael and Ryden evidently intended, leave people to wonder and interpret as they wish and they’ve certainly done that! This interview with Ryden is all over the internet, though I have been unable to find an original source for it.
Our friends at UK Loves MJ on Facebook has located one of the initial sketches considered for the cover. I’d never seen it before so thought I’d share it here:
I suppose the thing most people don’t know, and what surprised me, was how “normal” Michael Jackson was in person. His public image is so strange I did not know what to expect but when I met with him we had a very typical and relaxed conversation. We had many common interests we talked about. Maybe I am just a freak also.
-Mark Ryden, artist/creator of the Dangerous album cover