Mar 09 2010

Michael Jackson and Freddie Mercury: Close Friends

Category: Friends, Photos, Quotes About MJ, VideosSeven @ 12:04 am

SOURCE: http://www.brianmay.com/brian/brianssb/brianssbjun09.html#17

Brian May of Queen had this to say about Michael and Freddie shortly after Michael’s passing:

MJStatue

Michael

Freddie

Freddie

“Hard to know what to say – what to feel. I find myself wondering what might have happened on his tour … the number of dates in the UK that he had committed to was insane … I did have a feeling it was impossible … but I was so shocked to hear that he went so suddenly. Very sad. Of course I still think of him as a boy … he used to come and see us (Queen) play when we were on tour in the States, and he and Freddie became close friends … close enough to record a couple of tracks together at Michael’s house … tracks which have never seen the light of day. Michael was the boy star of the Jackson Five, and always the most screamed at. I remember in their show, they tried very hard to make all the brothers equal in the presentation, but it was abundantly obvious that all most of the girl fans really wanted to see was little Michael. It was Michael who heard our track “Another One Bites the Dust” when he came to see us on “The Game” tour … and told us we were mad if we didn’t release it as a single. Of course this was way before Michael’s monster solo career began … but he was already in search of that fusion between Funk and Rock, Black or White, and the Thriller album was the consummation of that quest. There are many similarities between it and our “Hot Space” album … but our timing was out, really. Michael got it right in every respect … including timing … the world was just ready for it … and of course he was in a sense seeking the same ground, but coming from the opposite direction. Amusingly, after Freddie and Michael has spent some time together recording, Freddie came back and played us the work in progress, and he remarked that Michael had come up with a great album title … BAD. A little later, Freddie smiled his wicked little conspiratorial smile, and said … “I have a perfect idea for our album title – you may love it or hate it … but think about it …. we can call it ….. wait for it …. GOOD”!!!

I think the world is a more colourful place thanks to Michael’s work … he was a truly wonderful performer at his peak – and had a great team around him, including, of course, genius Quincy Jones. I think he qualifies as a great artist; he devoted his whole body and soul to his art. It’s as if, with all the changes he introduced to his body, his art actually became his body and his persona. Yes, I only hope he passed away in happiness, in great hopes and anticipation of his glorious comeback tour. RIP Michael.

• • •

Michael and Freddie Mercury

Michael and Freddie Mercury

Rumour (not confirmed or denied) is that Freddie worked with MJ on the ‘Victory‘ album and/or the song ‘Victory‘.

As for those “couple of tracks” Brian mentioned that the two recorded together which never saw the light of day, Freddie apparently recorded ‘State of Shock‘ with Michael, but the version actually released was with Mick Jagger, instead. The one you’ll find on The Ultimate Collection (2004) is with Mick Jagger. The one I’ve linked to above, is done with Freddie – but was never released.

And, they worked together on “There Must be More to Life Than This“. There are two versions of the song (at least). One was apparently sang as a duet together, (or it is a very well-done mash-up) and in the other, Michael sang, while Freddie played piano.  I love both versions but find the latter (with Michael singing) much more beautiful – though neither version this song was ever released, either.

It’s a guess that the two never got it together on these or any other songs in earnest because they each became respectively too busy with their own budding careers and so it just never quite happened, though they apparently had a good deal of admiration for each other’s work and a good friendship.

Personally, I grew up with Queen’s music and with MJ + Jacksons’ music!  LOVE ‘em!  My favorite Queen song: Under Pressure
_ _ _

{ Thanks to my friend Dana for pointing out Brian May’s article about MJ and Freddie. Thanks to Anne for the video of Freddie talking about meeting Michael – and for confirming that the ‘State of Shock’ video I linked to above IS Freddie and Michael! Finally, thanks to my friend Aqueda for finding the beautiful version of “There Must be More to Life” with Michael singing!  -Seven }

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Mar 07 2010

On This Day: March 7, 1985, We Are The World Was Released and Made Music History

Category: Humanitarian, Photos, VideosSeven @ 4:42 pm

WATW USA For Africa Group Photo

WATW USA For Africa Group Photo

 

 

We Are The World was released on March 7, 1985 in both a 7″ and 12″ format, and made music history. It reached the top of the sales charts within a month, half the average time it usually takes for a single to do so. The song created recording history by becoming the industry’s first ever Multi-Platinum single! and being certified in all categories (Gold, Platinum, Multi-Platinum) within the space of one month.

• • •

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Mar 07 2010

Michael Was a Big Kid Himself and Reached Out to Children in Need at Neverland

Category: Humanitarian, Photos, Quotes About MJSeven @ 12:35 pm

It is so sad and incredibly unfair that this magnificent place was destroyed by false allegations against Michael. Had it not been for the self-serving avarice of these extortionists, not to mention Martin Bashir, Neverland might still be in operation today, serving thousands of children in need from all over the world who are poor, neglected, or terminally ill.  By all rights, Neverland remaining in existence to serve the needs of sick and deprived children SHOULD have been a lasting part of Michael’s legacy.

• • •

SOURCE: http://www.finchsquarterly.com/2741/never-neverland-again/

•

Michael loved children. He felt a real kinship towards them. He was excruciatingly shy and I think that only amongst children did he really feel safe. It seemed he was particularly shy with women and it therefore seemed sort of natural to me that he preferred the company of boys. I never perceived him as being sleazy, quite the opposite. He was extremely polite and respectful. He was very generous and once he warmed up a little, even very funny.

• • •

Michael had everything a child’s heart could possibly desire. There was a huge funfair with all the rides you could possibly wish for but no queuing or paying necessary. There were stands filled with chocolates, cotton candy and ice cream to be taken at our leisure, no need to ask for permission! There was a cinema with a huge bed in it, where we watched the Sound of Music stuffing our mouth with handfuls of popcorn. We went on quad bike tours around the countryside. We played with Bubbles the chimp and the other animals in the zoo. But the highlight of all was the super soaker park where we played for hours with Michael. He loved throwing water bombs and super soaking one another. He really turned into a kid. He didn’t mind his hair getting drenched and the make-up he was wearing washing off, he was enjoying himself and that was that. We were young enough to enjoy the children’s paradise but old enough to really remember and realize how special this actually was.

We lost contact over the years and like many friendships do ours fizzled. Incidentally, it was not too long after our visit to Neverland that Michael was charged for molestation by that kid, who actually was with us at Neverland at the time! It felt strange and very sad to hear such terrible things about the man who played so happily with us kids for hours. He had become so much more to us than a two dimensional superstar. He was a man, a buddy, and one of the friendliest people I had ever met. I couldn’t imagine Michael hurting a fly, let alone a friend.

I have fond memories of the overgrown boy, the friend, and the superstar. I hope the world will remember him as one of the greatest musical performers of our time. What I wish him even more is to enjoy the eternal Neverland up in heaven where I can’t wait to join him and throw another water bomb right into his face.

• • • • • • •

SOURCE: http://tribwekchron.com/2010/03/michael-jackson-reached-out-to-children-in-need/

Michael at Neverland

Michael at Neverland

… All of the rides were either sold or leased to Michael Jackson for his “Neverland” Santa Barbara County ranch. The singer bought the property from real estate developer William Bone in 1987 for $19,500,000. The amusement rides, petting zoo and other family-oriented attractions were later added by Jackson. Jackson also spent several million dollars out of his own pocket to pave roads and parking lots so that chartered buses could safely make it to the ranch. These buses brought in thousands of children, many with life-threatening diseases such as various forms of cancer, who used the facility for free. According to, Corey Oakley, the manager, for Helm & Sons Amusements. While Dave and Debbie Helm own the various rides at this year’s fair, their dad is the one who knew Michael Jackson for many years and was a consultant and assisted in the creation of Neverland.

• • •

One thing interesting at “Neverland” is that there was a full-scale locomotive that was there on regular train tracks that would take you from The Treehouse and the movie-screening area to the amusement park and then to the Zoo and kind of make a loop. The train has been sold as well as the train station that was beautifully decorated. Michael Jackson would go out to the park if he had a party or family over. Helms & Sons Manager Corey Oakley said, I had the occasion to see him one time by himself on the Wave Swinger. It was kind of a surreal moment. He was out there enjoying himself on the ride just as a kid would.” A substantial part of the flat area at “Neverland” was covered with asphalt and was devoted to bus parking. When Michael wasn’t there, which was quite often, schools from Los Angeles and throughout Southern California would bus people in and the kids would get the opportunity to ride all the rides at the amusement park. There were always from 12 to 17 rides at “Neverland” and the kids really enjoyed the atmosphere there. It was a beautifully landscaped, manicured park with lots of flowers. Millions of dollars was spent on the look and the feel of it with rides kind of sitting in the middle of it

• • •

According to Corey Oakley there were times when Helm & Sons were called by Michael Jackson to augment some equipment and add some extra pieces when he was going to have a big birthday party for his nephews or a party for the record company and Helm & Sons would bring in four, five or six other pieces and set them up temporarily for the weekend or for two weeks and then they would pull them out. These were rides he did not have such as a new super ride. Maybe he didn’t want to buy it so he would rent it from time to time. This is something Helm & Sons did six to eight times a year.

_ _ _

{ Thanks to my friends Susannae and Insanity X for bringing me these stories to share with you. -Seven }

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Mar 06 2010

Jennifer Batten Gives a Bevy of Backstory About Touring With Michael and Soundly Refutes Gene Simmon’s ‘Abuse’ Claims

Category: Friends, Justice, Photos, Quotes About MJSeven @ 3:29 am

Below are EXCERPTS from an incredible extended interview with Jennifer Batten, Michael’s statuesque lead guitarist for 3 tours (Bad, Dangerous, and HIStory).

These excerpts are followed by MJJ-777.com’s own commentary on the “Simmons + Media parasite problem” and Jennifer’s fact-based rebuttal to his incredibly ignorant “abuse” claims.

Michael Jackson's lead guitarist Jennifer Batten gives Sawf News an exclusive and rare insight into the world's biggest pop act who exactly one year ago announced his return to music. Photo Credit: Sawf News

SOURCE: http://www.sawfnews.com/Entertainment/62954.aspx

• • •

Batten was Jackson’s lead guitarist for a decade, accompanying the star on all three of his record-breaking world tours. At 29 years old she was plucked by the King of Pop from complete obscurity. Despite announcing to her mother at age 12 that she would become a professional guitarist, before Batten joined Jackson her touring experience was limited almost exclusively to a brief spell with an Elvis impersonator.

• • •

Inspired by blues legends like BB King and Brownie McGee, Batten began playing guitar at the tender age of eight. As a young woman she attended the Musicians Institute in Los Angeles.

“I was the only woman with 60 guys,” she says. “I didn’t have a problem with it. I could go practice in the bathroom because you get the natural reverb in there and I knew I wouldn’t be bothered.

• • •

Audition for Bad Tour

After the Elvis gigs she lived for several years in San Diego, playing in cover bands. But soon she grew restless so she upped sticks and moved to Los Angeles in search of success on the music scene. It wasn’t long before she fell into teaching at her former school, the Musicians Institute, and it was there – on one fateful day in 1987 – that Michael Jackson’s representatives called asking for musicians to attend tour auditions.

“They were auditioning about a hundred people so it was pretty intense,” she recalls. “When I went, there was just a video camera, no band. The only guidance I was given was to play some funk rhythm stuff so I did that, then I finished off with the Beat It solo because I had been playing that for years in cover bands. I think ultimately that’s what got me the gig.”

Winning her place on Jackson’s Bad Tour in 1987 changed her life, she says. “It was like a paid vacation. I had been teaching and gigging pretty much seven nights a week and all of a sudden I’m on the biggest tour in the world making ten times the money and only working two or three days a week!”

• • •

But soon after hitting the road, Batten discovered a more sinister side to working with Michael Jackson. “I was approached in the beginning by somebody who said I could make a lot of money by talking to the National Enquirer,” she reveals. “I was just appalled. I thought ‘that is just sick’, you know? I just got this great gig. Why would I sabotage it like that? It seemed like a really evil thing to do.”

• • •

Dangerous Tour

“He wanted to come out with the biggest show on earth,” says Batten. “He wanted it to be like Christmas for people. His imagination was like a creative tornado. He would come up with his wildest dreams and then hire people to carry it out. It was really amazing to be a part of that.”

• • •

Child Molestation Allegations

“I figured it was an extortion case, which I still figure it is,” she says matter-of-factly. “Everybody was concerned about him. I think it pains all of us that he was so attacked and so unfairly. Most artists are sensitive and he was talented times ten, so ultra sensitive, and to be slung that kind of stuff… I mean, you can hear it in his lyrics. It’s a real drag because you wonder what kind of music he would have come up with if people weren’t attacking him like that.”

The media, says Batten, has a lot to answer for over its coverage of the 1993 allegations.

“Honestly, I think it would have been considered uncool amongst the press to take Michael’s side. I think it would take a brave soul to do that, which is really sad. Really pathetic. Even at the 2005 trial… I know people who were inside the courtroom and then they would watch the news at night and it was complete lies.”

• • •

Michael’s Death

In the weeks after Jackson’s death Batten says she was unable to watch the media coverage, knowing how much of it was false.

“They were respectful for about two or three hours and then they turned it into a tabloid festival,” she laments.

“I just couldn’t watch it. There were a lot of specials on about him and once in a while I would turn one on and it was just sh*t. I guess it makes money to just bring up negativity and stir up controversy but it’s pathetic and I just can’t watch it. It’s all about money now, not about truth. People can be very cold.”

• • •

This Is It Movie

But thanks to a close friendship with Jackson’s make-up artist Karen Faye, who worked with the star during his This Is It rehearsals, Batten says she’s able to see the other side of the coin. Since Jackson’s death Faye has written on her facebook page that Jackson was frail, cold to the touch and losing weight rapidly.

“She was closer to Michael than anyone,” says Batten, “She warned people that he was not well but everybody ignored her. You didn’t see it on the screen because they took every day that he rehearsed and pieced together the best bits. You didn’t see him when he was struggling up a ramp because he didn’t have any energy and he hadn’t eaten for two days. They’re not going to put that in the film. I mean, one of the songs he was wearing four different costumes. That just tells me that he never sang the song fully through.”

• • • • • • •

Finally, MJJ-777.com has the following to say about Gene Simmons and his claim that MJ was a “child abuser”

Simmons was never with MJ on a tour. He has no idea what did or did not happen in any hotel rooms on MJ’s tours.

The media is amplifying this story he’s pulling out of his @$$ in order to get some attention for himself. What the media gets from that is ratings, website clicks and therefore profit. It’s a disgusting mutually parasitic arrangement between them, and both of them are feeding off of and destroying Michael Jackson’s memory, legacy, and reputation for their own gain and profit.

Jennifer Batten toured with Michael for A DECADE. We’ll take Jennifer’s word on what did or did not happen during those tours, thankyouverymuch, Mr. Simmons. Find some other way to get attention.

As for the media, THEY are murderers as much as Conrad Murray is. They kill people for MONEY. They helped drive Michael Jackson into his grave with their decades of negative slander against him. And as he lay in his grave, they’re still doing it. His blood is on their hands.

And irony of all ironies: Michael Jackson’s morals are stellar compared to Simmons’, who has no room to lecture anyone on morals. Mr. Simmon’s hypocrisy and ability to lie is astounding and only matched by his pathetic need for attention, and obvious lack of conscience and talent.

Furthermore, in the opinion of the management of this site (MJJ-777.com), there are MANY more important things to discuss about Michael Jackson, his life and his murder than what some washed-up attention-starved crackpot like Gene Simmons has to say about Michael.

The lame$tream and most online major media, as per usual, is HELLBENT on distraction, misinformation, and sensationalism, rather than reporting FACTS or even the actual important stories of the day. And they are collectively and vehemently anti-Jackson. It has always been thus.

Whether the issue is health care, climate change, or Michael Jackson, the media is only concerned with the sensationalist headlines that get them the most viewers and therefore the most corporate profit – rather than telling the TRUTH or providing important information to the public to keep them intelligently informed.

Rather, they seem more occupied with keeping the public MISinformed and distracted.

They are very good at it and the public willfully complies by watching, reading, and believing it all, no questions asked. Tabloid Junkies – tsk, tsk.

Since the media has seen fit to splatter Simmon’s ignorant lies all over the intertubes whilst ignoring the FACTS, we presented part of Jennifer’s factually and logistically sound rebuttal here a day or so ago, along with Charles Thomson’s observation that while the media readily parrot Simmon’s LIES, they willfully IGNORED the truth from Jennifer.

Have we mentioned yet that Jennifer was with MJ on tour for a decade and that Simmons never was? WHO would you believe? The person who was there for a decade – or a washed-up narcissist who wasn’t – and who’ll say anything about anyone just to get himself noticed?

And this entire issue is the absolute epitome of the fact that the media as a whole is decidedly, willfully and obviously “anti-Jackson” regardless of what the facts about him actually are and regardless what truly IMPORTANT information about him remains buried in favor of petty, baseless, self-serving, sensationalist claims such as the one coming from Simmons.

There was a murder committed. Yet the media are more concerned with the attention-grabbing tactics of a shriveled crackpot like Simmons instead – who has never been on tour with Michael Jackson but claims to somehow know what happened on them – than they are with getting at the truth of why and how Michael was killed.

Jennifer talks about this media problem in her extended interview, as did Aphrodite Jones, in her book Conspiracy and as did Tom Mesereau, Michael’s attorney during the 2005 trial. And here, yet again, is another instance of it. They occur almost every minute of every day.

Suffice to say that the media’s conspiracy against Michael Jackson is a tad bit noticeable. Before the “Simmons” debacle, they were busily convicting Michael Jackson of his own murder in the court of public opinion, whilst depicting the sidewinding, immoral excuse for a doctor whose hand actually killed Michael as an innocent bystander in the whole thing.

Wow. Just. Wow. The world is officially upside-down and bassackwards.

And why pray tell, are the media so anti-Jackson? Three reasons, IMO:

1. PROFIT. Nothing gets viewers and ratings like sensationalist headlines – true or not. Viewers and ratings = $$$$$. They don’t care. I know they’ve offered people five and six figures for ‘dirt’ on Jackson – true, or not. Just to get a ’story’. They are jackals. ALL of them – whether their acronym is “CNN” or “TMZ”.

2. They are caught in their own lies. If the media suddenly started reporting the TRUTH about Michael Jackson and who he really was, then they’d have to admit that they’ve been LYING about him for 40 years – and that they are furthermore culpable in helping to drive the man to an early grave with their decades of lies, persecution and abuse. They’ve destroyed a man’s LIFE for profit – and they are not about to ADMIT it.

3. MOB mentality. When one does it, they all do it. Monkey see-Monkey do. Copy and paste journalism with zero fact-checking – just like Charles Thomson said.

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Mar 05 2010

Sometimes words are all we have

Category: Photos, PoetrySeven @ 2:37 am

by Deborah Ffrench

Sometimes Words are All We Have

Sometimes words are all we have

Sometimes words are all we have.

But sometimes, if we let them, they can carry us on the wings of the emotions they contain – to a place beyond words.

A place where we remember.

Michael.

From the beginning,

Through the joy,

Through the splendour,

Through the catastrophes…

…To the desolation we arrive.

The summer of 2009 will always be remembered as the the winter that took our brightest light, and for those who understand, it has been perhaps the hardest summer of our lives.

And so it should be.

Michael deserves nothing less.

I wish I could have met Michael, felt for myself the force of that fire, seen first-hand the curious grace of that smile. Scorcese described his persona as ‘shamanistic’, Spielberg recalls ‘an emotional star child’, Mark Romanek remembers him as ‘metaphysical’, Anjelica Houston – ‘a meteor.’ Whatever the word used, all of these highly creative individuals were each in their way trying to express the indefinable ‘difference’ they felt in Michael’s prescence.

You can hear it in every note of his songs, in his entire body of work.

And his voice, my God, that voice.

That soft yet tough, delicate yet bullet-bright force of power and beauty he could produce at will. It crept inside you when you heard it, tapped at the fortress of your innermost being, before offering – everything. It elevated the merely kinetic to the kaleidoscopic, music into magic and a thousand songs into the substance of the soul.

Some say Michael should be thought of as nothing more than an 80’s artefact, a relic of the bad, brash, Lucas-filmed, pre-Aids, pre-9/11 years when we thought the whole world loved America and people adored their stars like the old movie idols from back in the day.

Maybe.

But what they fail to realize is this: every kid I know is discovering Star Wars for the first time. The Sistine Chapel is no less beautiful now than it was when its painter first stepped down and exhaled.

For true art is immortal and it lives forever.

Michael often quoted Michelangelo – who famously said: ‘I will attempt to bind my soul to my work.’ This is what Michael Jackson did. He put all that young idealism, that thirst for freedom, that yearning to ‘move’ and be moved, his desire to be the best, his love and his joy, his rage, his pain and his sorrow, his confusion and his loss; into his work.

And when all the lies and the untruths have faded with time, and those predators who even now pick at his memory like vultures to the bone have finished their feasting –

That work will remain.

On June 25th the world knew a unity of sorts. It was as if the whole world, for a moment, felt the slow agony of being that misunderstood, that lonely, and that betrayed.

Michael is free now. He sings and dances amongst the worlds. In his leaving, becoming at once a symbol of our lost innocence and the possibilty of regaining that.

And for those of us who know who, and what he was, and what he tried to do here,

Michael Joseph Jackson will shine in our hearts for all time.

I will not wave. I will say no farewells.

The Immortals need no goodbyes.

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Mar 04 2010

Notice . . .

Category: Earth, Humanitarian, Lyrics, PhotosSeven @ 12:20 am

Austfonna ice cap, (Norway) located on Nordaustlandet in the Svalbard archipelago during a thaw, with the melting ice and snow falling towards the sea below. || An Iraqi woman takes her dead son into her arms. The 6-year old was killed on the way home from enrolling for his first year in school. (AP photo).

Austfonna ice cap, (Norway) located on Nordaustlandet in the Svalbard archipelago during a thaw, with the melting ice and snow falling towards the sea below. || An Iraqi woman takes her dead son into her arms. The 6-year old was killed on the way home from enrolling for his first year in school. (AP photo).

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Mar 03 2010

Dancers Who Tell the Truth and Media That Won’t

Category: Justice, PhotosSeven @ 3:26 am

I’m writing about two things in this piece: one being an account from one of the lovely ‘This Is It‘ dancers about Michael’s condition during rehearsals; and another being a well-deserved slap upside the head to the lame$tream and online media by Charles Thomson.

Dancers Who Tell the Truth

Kriyss Grant

Kriyss Grant

Kriyss Grant, who like most of the young dancers chosen to work with Michael on TII, was very excited to be near his mentor and hero and looked forward to a successful dancing career with this TII performance on his resume.  But, because I’ve heard from others who were there during these rehearsals, there are a couple of comments that Kriyss made that immediately caught my eye. They caught my eye because they corroborate with accounts others had of Michael’s apparent physical and mental condition during those rehearsals.

…He was 50, and he hadn’t danced like that in a long time. He had to familiarize his body with all those moves he used to do. I think he was scared; he couldn’t take the stage and appear fragile to us.

The last rehearsal: He was his old self. He was interacting with us, giving us suggestions, making changes. In the beginning, he let everyone else run things. Then, he was like, ‘This is my show. We’re going to do it how I want to do it.’ I loved it. That’s something I always wanted to see. I thought he was being taken advantage of in the beginning because he was older. … And you could tell he had something to say, but he wouldn’t say it. But that last day, he took over. He knew what he wanted. The dancers were like, ‘Good, he’s speaking up.’ The dancers had Michael’s back.

These remarks are significant to me because accounts I have of the rehearsals are of Michael having little to no control over many aspects of the production, of him feeling pressured, on edge, and feeling like he may not be able to do 50 shows, especially since he’d originally only signed on for 10 and 40 more were added almost overnight without his prior knowledge or approval.

He’d been off the stage for over 10 years, and yes, he was 50 years old. Doing an athletic 2-hour concert at that age, of the caliber Michael is known for, after having not danced or performed for 10 years is not something you “just go do”. It takes months of physical and mental preparation and training to get back in shape for something like that. And to do 50 of those shows takes even more training and preparation time. It’s just like an Olympic athlete wanting to make a comeback. They don’t just “go do it”. They need months of training. Michael didn’t have months. He had a few weeks, and that was all. Not enough. And he knew it. Yet he had been arbitrarily signed up for fifty shows and given too little time to prepare. For Michael Jackson who is known for being a perfectionist, to be under that kind of pressure was probably extremely debilitating and anxiety-provoking for him. It’s no wonder he had trouble sleeping.

–Randy Phillips of AEG: We spoke [...] Michael said: [puts on a mocking high voice] ‘Randy, Randy no more shows, no more shows.’ -March 13, 2009

Also, the accounts I have were that in the last 2 days of rehearsals, like Kriyss said, Michael changed. Kriyss isn’t aware that Michael had apparently been “talked to” by those running things – pressured to ‘buck up’ and engage, lest the rug be pulled out from beneath him financially (and it was a BIG rug).Michael was under a LOT of pressure and while he had a lot of responsibility for pulling off these shows, he had very little control over them or many aspects of them. It was hardly a good situation for Michael.

So, unbeknownst to this innocent dancer who is only relaying what he saw in his hero and mentor, there was a lot more going on behind the scenes that the dancers – any of them – were likely not aware of. However, Michael’s behavior and condition as identified by them, corroborates the accounts of others who were there and did know the ‘behind-the-scenes’ situation. This makes Kriyss’s account very interesting.

Media That Won’t

Media LIES

Media LIES

As per usual, the media(loids) refuse to tell BOTH sides of the story, much less the TRUTH about anything. Specifically, the story where old sewer rat Gene Simmons decided to call MJ an “abuser” and all the media simply copy/pasted his comments far and wide for the World to see. (Gene Simmons is hardly anyone to be lecturing Michael Jackson on morality, but I digress..)

Subsequently, when Jennifer Batten, Michael’s lead guitarist, refuted his claims on not only fact but sheer logistics, the same media almost totally ignored it.

I’ll let Charles Thomson’s words do the explaining:

Many are quick to scoff when Michael Jackson’s fans speak of a media conspiracy to destroy the star’s reputation and I used to scoff with them, but I find it increasingly difficult to explain the apparent bias.

• • •

Aging glam-rocker Gene Simmons made international headlines last month when he claimed to know that Michael Jackson had molested children. In an interview with Classic Rock, Simmons alleged that Jackson was on tape ordering alcohol for children and that during the star’s 2005 trial a travel agent had testified to importing Brazilian boys for Jackson’s amusement. He also claimed that a musician friend had quit a Jackson tour after seeing ‘boys coming out of the hotel rooms.’

What followed was a classic example of copy and paste journalism. Within hours the story had been duplicated by hundreds of blogs, forums and news websites from Australia to India to the USA. None of them had fact-checked the story before they re-hosted it. Jackson was never on tape ordering alcohol for children. There was never any testimony during his trial about young Brazilian boys. Both of these claims were easily disproven by trial transcripts.

As a relative Jackson expert, I was also unaware of any musician ever leaving one of the singer’s tours midway through. So when I sat down a fortnight ago for an interview with Jackson’s long serving tour guitarist Jennifer Batten, I ran the story by her.

She told me that no musician had ever quit a Jackson tour. Two musicians had been fired but both were let go before the show hit the road, so they couldn’t possibly have witnessed anything going on inside hotels.

When Sawf News published Batten’s rebuttal I observed an all too familiar phenomenon. Although the story appeared on Google News and was picked up fairly swiftly by the Examiner, nobody else seemed willing to touch it. Whilst Simmons’s speculative and ultimately baseless accusations had been reproduced the world over, Batten’s expert rebuttal was being suppressed.

• • •

But more than 48 hours later, typing an exact quote from Simmons’s rant into a search engine produced almost 350 webpages. The number of news outlets hosting Batten’s rebuttal? Three.

This was not the first time I’d had a Jackson story suppressed. After Evan Chandler’s suicide in November 2009 I was contacted by the Sun and asked to supply information about the 1993 allegations. I spent quite some time compiling my research, advising the newspaper of common myths and how to avoid them, being careful to source all of my facts from legal documents and audio/visual evidence.

When I read the finished article I was stunned to find that all of my information had been discarded and replaced with the very myths I had advised them to avoid. I alerted staff to the inaccuracies but my emails were not replied. The same inaccuracies appeared in every single article I read about the suicide.

SO – there you have it. Our media(loids) which have zero integrity to begin with, and wouldn’t know truth if it jumped up and ripped their corporate-owned faces off, are (still) DELIBERATELY suppressing the truth – or even another side of the story, about Michael Jackson. Why?  Because they make more MONEY with LIES and sensationalism. TRUTH does not matter to them. Only PROFIT does. This is part and parcel of what helped send Michael Jackson to an early grave.  They persecuted the man all his life for sheer profit and now, they continue to do so after his death.

Mark my words – HIS CHILDREN will be next. They’ve already started on them.

If the media finally decided to start telling the truth about Michael Jackson, it would make them look bad. It would make them look bad because they’d have to ADMIT that they’ve been LYING about him for FORTY YEARS for ratings and profit.

And they’re not ABOUT to do that.

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Mar 03 2010

Meet Siedah Garrett: The Woman Who Wrote ‘Man in the Mirror’

Category: Friends, Humanitarian, Photos, Quotes About MJ, VideosSeven @ 1:06 am

Man in the Mirror‘ was one of Michael’s favorite and most critically acclaimed songs. According to an interview with Quincy Jones, ‘Man In The Mirror‘ was written by Siedah Garrett and Glen Ballard at the end of a workday, and following a meeting earlier in that same week with 13 writers in Motown’s publishing company at the time. The meeting was called to discuss writing an anthem: a sunny, hopeful, humanitarian piece for Michael’s ‘Bad‘ album.  There was no decision as to who would write this anthem,  just a discussion about it to come up with ideas.

The following Sunday Siedah went to Quincy’s house with a sly, knowing ‘Mona Lisa’ smile on her face and told him: “I GOT it!“. Herself and Glen had written ‘Man In the Mirror‘ in just 2 hours after finishing up some other work.

MJ and Siedah Garrett

MJ and Siedah Garrett

Siedah has left a very loving message for Michael on her website:

Michael, you are, and will forever be the thread of velvety voice, so intricately woven into the fabric of the soundtrack of my life. Your music, talent, heart and soul has touched every cell of my being.  More than enough to last a lifetime. You are magic. And I will miss you.

May your vibrant soul rest in eternal peace. You changed my life, and for that I will love you forever.

Siedah
AKA “Miss Gayree”

Siedah was also the lovely woman who sang ‘I Just Can’t Stop Loving You‘ originally with Michael, though other singers accompanied him on the song in subsequent performances. It is said that Siedah got the idea for ‘Man in the Mirror‘ as she looked into her rear-view mirror while driving to the recording session for ‘I Just Can’t Stop Loving You‘.

Below is Siedah performing the ‘Man In The Mirror’ herself with the Agape International Choir in tribute, after Michael’s passing:

Said Siedah:

I have the distinct honor of writing one of Michael Jackson’s all-time favorite songs. Michael’s compassion and generosity taught the world to sing with one voice and his amazing talent lives in the hearts of people everywhere.

Rickie Byars Beckwith, director of the 200-voice Agape International Choir says:

Michael Jackson inspired the world by demonstrating how one person can make a positive impact on the lives of many.

• • •

In the video below, Siedah talks about Michael and The Man in the Mirror on June 28th 2009, at the Agape Church, Los Angeles, at the time of her tribute performance:

• • •
This piece would certainly be incomplete without a video of Michael performing this song:

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{ Thanks to my friend Diane for her help in researching this piece!  -Seven }

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Mar 02 2010

‘Beat It’ Video Included Actual Crips and Bloods Gang Members in a Dicey Real-life Scene

Category: Photos, Quotes About MJ, VideosSeven @ 2:11 am

Michael Jackson, ever the fearless peacemaker and creative genius, wanted the video for ‘Beat It‘ to be as realistic as possible. So, much to the unease of the director, Michael worked with LAPD to recruit actual Crips and Bloods gang members for the shoot. The effort was not without its problems, and the tension was thick. They had one last shot before LAPD wanted to shut it down. In the end, when the choreographed dancing scenes took place with MJ and the other dancers, their remarkable talent changed contempt into grudging respect and the gang members actually applauded – and no one got hurt.

Besides subjecting him to the hair-raising experience of working with actual LA street gangs on this video, soft-spoken Michael also left Director Bob Giraldi with a lasting bit of advice: ‘You use the F-word too much.’

Beat It - Live Performance

Beat It - Live Performance

From Director Bob Giraldi:

What did you base the concept on?

One of the things that is totally mistaken that I’ve read many times is that most people think “Beat It” was inspired by West Side Story and that’s absolutely not true at all.

I grew up in Paterson, New Jersey – always an edgy town but full of people really trying to be so much tougher than they really are. It seemed to me this song of peace, this song of reconciliation that Michael had written was perfect for a quasi kind of rumble. I’ve read where, the two lead dancers – Michael Peters and Vince Paterson – when they had their wrists tied and held the switchblades, that came from West Side Story. That’s not true at all. That came from a story I heard when I worked in a factory one summer. A real tough kid from Jersey told me that he’d witnessed two guys who had their wrists tied and they held switchblades, and only one came out – and not too well. It was based on that little fable.

Michael liked my idea and decided he was going to include the Crips and Bloods, which I thought was insane. If you see the video, you’ll see guys that look like the real deal because they are the real deal.

How did you cast the real gang members?

It was Michael. He went out and he got ‘em through, I guess, the LAPD’s gang squad and he convinced them that, with enough police presence, this would be a smart and charitable thing to do; get them there to like each other and hang with each other for two days doing the video. I didn’t like the idea because it was hard enough to direct actors and dancers, let alone hoods.See More

So he tried to use the video to foster peace between them?

Michael was always about peace. He was always about some sort of peace offering. That was his idea and the cops did go along with it and as history has it, we were almost shut down the first night because, as you know, film sets get to be very boring after the first hour.

I guess the Crips and Bloods started to get on each other’s nerves – they are mortal enemies – and we had a few incidents and two cops came to me and said they wanted to close it down. I somehow convinced the cop squad guy to just let me [shoot the] dance. I was gonna hold the dance for the second night of shooting. I said, ‘The only thing I can think that’ll save this is to let me just blast the music. I have a feeling it’ll calm everything down. Can’t get any worse, just give me a chance.‘ And the cop was cool, he looked at me and said, ‘OK, not much more.’ I couldn’t go much more because it was volatile – no question about it – and scary. So we were in that warehouse, change of plans we’re going to do the dance, get Michael out of the camper, here we go.

What happened next?

The gang members couldn’t dance so they formed the ring and watched. And the [dancers] all started to dance with Michael Peters and Vince Paterson. When Michael Jackson comes down and does what he does, I remember looking at the faces of all the Crips and Bloods lined up and their expressions as they listened to that music and watched those kids dance. Those kids were basically, most of them were gay… and when they started to dance, the Crips and the Bloods had that look like, ‘You know what? With all our wars and vendettas and stuff, that’s cool right there. That’s something we’ll never be able to do.’ And that’s what made that evening work.

What impact has “Beat It” and working with Michael Jackson had on your career?

I met a man who I have total respect for. One of the most interesting things he ever said to me, I’ll never forget, we were arguing, he said to me in that very high-pitched voice of his, ‘You use the F-word too much’. That always stuck with me. I thought that was smart to say at a time like that.

I watched a man dance better than anyone I’d ever seen in my life and I watched a man talk softly and carry a tremendously big stick, get what he wanted and get his way. . .

SOURCE: http://www.boardsmag.com/articles/online/20090707/giraldibeatit.html

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{ Thanks to my friends Debby and Sinead for their information and writing contributions to this piece! -Seven }

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Mar 01 2010

Michael Jackson Helps With Relief Efforts in Haiti. Even Though He’s No Longer Here, He’s THERE.

Category: Angels, Photos, Quotes About MJSeven @ 4:47 pm

Michael Jackson, one of the world’s biggest humanitarians during his life, remains effective in helping with humanitarian efforts where needed most, even in his death. Through his music, hugely popular literally worldwide, Michael is helping with relief efforts in Haiti. His work, his LOVE and his legacy continues and lives on through his music. He has found a way to help.  He’s THERE.

SOURCE:
http://www.stripes.com/article.asp?section=104&article=68395

Haitians waiting for jobs shoveling rubble from the streets in Port-au-Prince enjoy pop music played by U.S. soldiers Feb. 25

Haitians waiting for jobs shoveling rubble from the streets in Port-au-Prince enjoy pop music played by U.S. soldiers Feb. 25

Mideast edition, Tuesday, March 2, 2010

Seth Robson/Stars and Stripes

PORT-AU-PRINCE, HaitiThe late Michael Jackson is helping U.S. soldiers in Haiti deliver aid and start to rebuild the earthquake-shattered nation.

Soldiers working with the 82nd Airborne Division in Port-au-Prince are using Jackson’s music along with other American and Haitian pop songs to calm crowds during aid distribution missions.

One of the soldiers, Spc. Max — commanders asked that the last names of soldiers in the unit not be disclosed because of the nature of their jobs — said he hit upon the idea of using music for crowd control during an aid distribution mission last month.

The Haitians were trying to push ahead in line for aid,” he said.

“I put my iPod into the sound system and played some songs and the people were calmer,” he said. “It reduced tension within the crowd. The next day we went out and it got the same effect.”

Max said his unit told Army leaders in Haiti about the effectiveness of music for crowd control and that its use is spreading.

“We went to another food distribution recently and some Brazilians (soldiers) showed up and they started playing music”, he said.

• • •

Michael Jackson songs are, by far, the most popular with crowds, Max said. The Haitians try to mimic Michael Jackson’s dance moves and incorporate some hip-hop steps, he said.

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